بررسی تطبیقی آکسانها در کُنشهای پریودیک درام و موسیقی

چکیده مقاله

A Comparative Study on Accents in Periodic Actions of Drama and Music One of the main reasons of spreading the multimedia in the world is that of employing various arts at once. In fact " using " multi‐arts are far ahead of " studying " multidisciplinary approaches. In spit of that, multidisciplinary and interdisciplinary studies are growing faster than any other disciplines. This growth, has been caused to specialize the issues which are studied under these approaches. As this, the current study narrowly focuses on considering the status of accents in drama and music. In music the accents of whatever kind are spaced out through time. However, in theatre and cinema we are faced with two kinds of accents, those spaced through out in time and those spaced through out in place—the spectrum of variables in theatre include other senses such as touching, tasting and smelling. Dramatic actions whose accents lead to their emphasis are categorized in two views. In the first view, action in drama is taken as changing process which occurs along linear time. In this view, dramatist chooses some portions of this based on the given time of the performance. In the second view, the actions of drama are taken as periodic processes, taking place in cyclic time. In this perspective, the dramatist selects number of such periods to present in the time of performance. These periods in music are seen from the smallest unit, motif, to phrase, phrase‐group, movement and finally the piece itself.
(PDF) A Comparative Study on Accents in Periodic Actions of Drama and Music بررسی تطبیقی آکسانها در کُنشهای پریودیک درام و موسیقی. Available from: https://www.researchgate.net/publication/275887043_A_Comparative_Study_on_Accents_in_Periodic_Actions_of_Drama_and_Music_brrsy_ttbyqy_aksanha_dr_kunshhay_prywdyk_dram_w_mwsyqy [accessed Sep 26 2018].