رزومه


محمد رزاقی

محمد رزاقی

دانشیار

بازنشسته

دانشکده: هنرهای کاربردی

گروه: طراحی صنعتی

مقطع تحصیلی: دکتری

رزومه
محمد رزاقی

دانشیار محمد رزاقی

بازنشسته
دانشکده: هنرهای کاربردی - گروه: طراحی صنعتی مقطع تحصیلی: دکتری |

Dr Razzaghi began his career in 1984 as an aircraft engine and system repair specialist in aviation industry. He earned his BA in Industrial Design with third rank honors from Iran University of Art (IUA) in 1994, followed by an MA from the University of Tehran in 1997. Between 1997 and 2002, he taught at universities in Tehran while working as a senior industrial design expert and product engineering manager, and also served as an independent consultant.  

In 1996, he ranked first in the national Ph.D. examination for overseas studies and completed his Ph.D. at the University of New South Wales (UNSW), Sydney, in 2008. Returning to Iran, he joined IUA’s Department of Industrial Design as a faculty member. |
His research focuses on design education, cultural and societal influences on industrial product design, and sustainable design approaches. His professional practice covers physical, digital, and phygital product design, urban furniture, product-service systems, UX design, toy design, industrial graphics, and packaging. From 2016 until retirement, he was editor-in-chief and executive director of Dastavard, Iran’s first specialized Industrial Design journal, and supervised over 80 Master’s theses.

Dr. Razzaghi held key administrative roles at IUA, including Head of Industrial Design, Dean of the Faculty of Applied Arts, Director of Vali-e-Asr Campus, and Vice Chancellor for Research and Technology. He retired in March 2024 as an Associate Professor with official tenure

نمایش بیشتر

COMMUNICATIVE AFFORDANCE OF INDUSTRIAL DESIGN SKETCHING

نویسندگانMohammad Razzaghi - Mobina Nouri
همایشINTERNATIONAL CONFERENCE ON ENGINEERING AND PRODUCT DESIGN EDUCATION
تاریخ برگزاری همایش2010-09-2-3
محل برگزاری همایشTorndheim | Norway
ارائه به نام دانشگاهUniversity of Art
نوع ارائهچاپ در مجموعه مقالات
سطح همایشبین المللی

چکیده مقاله

Design sketching, as a key designing technique and a rapid visual demonstration of design thinking, reasoning, and exploration, is being vastly utilized by industrial designers to communicate designers’ thoughts and ideas about a design situation. Despite the significance of communicative aspects of sketching to a wide range of creative design activities and in particular, to the product design processes, it has attracted less attention required. It is argued that one aspect of this ambiguity is related to the absence of human figures of the intended user(s) interacting with the product. Our observations suggest that sketches being generated by the vast majority of industrial design students in Iran are not communicative to the extent they should be in terms of the utilization of human elements in sketches. As a result, one of the main characteristics of sketching, i.e., the communicative aspect cannot be fulfilled. In this paper, the affordance of sketches is examined based on their communicative features with a particular focus on using human elements. The paper concludes by discussing educational factors influencing the communicative aspects of sketches and likely ways to fix the problem, enhancing the communicative qualities of sketches.