رزومه


محمد رزاقی

محمد رزاقی

دانشیار

بازنشسته

دانشکده: هنرهای کاربردی

گروه: طراحی صنعتی

مقطع تحصیلی: دکتری

رزومه
محمد رزاقی

دانشیار محمد رزاقی

بازنشسته
دانشکده: هنرهای کاربردی - گروه: طراحی صنعتی مقطع تحصیلی: دکتری |

Dr Razzaghi began his career in 1984 as an aircraft engine and system repair specialist in aviation industry. He earned his BA in Industrial Design with third rank honors from Iran University of Art (IUA) in 1994, followed by an MA from the University of Tehran in 1997. Between 1997 and 2002, he taught at universities in Tehran while working as a senior industrial design expert and product engineering manager, and also served as an independent consultant.  

In 1996, he ranked first in the national Ph.D. examination for overseas studies and completed his Ph.D. at the University of New South Wales (UNSW), Sydney, in 2008. Returning to Iran, he joined IUA’s Department of Industrial Design as a faculty member. |
His research focuses on design education, cultural and societal influences on industrial product design, and sustainable design approaches. His professional practice covers physical, digital, and phygital product design, urban furniture, product-service systems, UX design, toy design, industrial graphics, and packaging. From 2016 until retirement, he was editor-in-chief and executive director of Dastavard, Iran’s first specialized Industrial Design journal, and supervised over 80 Master’s theses.

Dr. Razzaghi held key administrative roles at IUA, including Head of Industrial Design, Dean of the Faculty of Applied Arts, Director of Vali-e-Asr Campus, and Vice Chancellor for Research and Technology. He retired in March 2024 as an Associate Professor with official tenure

نمایش بیشتر

Proposing to teach cultural affordance to industrial design students

نویسندگانMohammad Razzaghi - Mariano Ramirez
همایشCONNECTED 2010 – 2ND INTERNATIONAL CONFERENCE ON DESIGN EDUCATION
تاریخ برگزاری همایش2010-6-28/7-1
محل برگزاری همایشSydney | Australia
ارائه به نام دانشگاهUniversity of Art
نوع ارائهسخنرانی
سطح همایشبین المللی

چکیده مقاله

As initiators of product creation, industrial designers are expected to facilitate the communication of the products’ physical and non-physical attributes to users in a self-explanatory way. In other words, the products that they create should “afford” conversation with their intended users using the visual semantics and symbolic language of the design. “Cultural affordance” refers to the perceived possibilities for interacting with a particular object or environment in the physical world, which could be directly or indirectly influenced by the cultures of both the users and the designers. The influential norms within one’s social group and day-to-day lifestyle can be significant determinants of how an individual would comprehend and use a designed object. Our own mental models, formed through years of living within a society, also shape our expectations of how to engage with a product. Thus if we want products to afford usability and to facilitate a pleasurable involvement, then designers should design with an inclusive understanding of the user’s culture, experiences and knowledge. This paper concludes with a proposal for a full-semester subject, suggested to inculcate among young industrial designers the sensitivity to the close links between design and culture.